Emily Winslow’s novels of psychological suspense are set in Cambridge, England, star investigators Morris Keene and Chloe Frohmann, and are told through multiple first-person narrators. They are a series (in order: The Whole World, The Start of Everything, then The Red House) but can be enjoyed as standalones. Her fiction has been called “brilliant” (The Washington Post), “vivid” (Parade magazine) and “dazzling” (Shelf Awareness).
Originally published in the US in hardcover by Delacorte Press (Random House), they are now available in paperback and ebook from Witness Impulse (HarperCollins), and in the UK in paperback and ebook from Allison & Busby.
The Whole World
American students Polly and Liv are giddy over the accents and architecture of Cambridge University. They both fall for the same charming graduate student. Then he disappears. Told through five narrators whose personal obsessions limit what each of them sees, THE WHOLE WORLD is the story of the desperation...
The Start of Everything
The envelopes are addressed to simply “Katja” above the name of a Cambridge college, but no one by that name attends or works there. The early letters are desperate; the later ones are angry. No one knows who the messages are meant for, until a seemingly accidental death involves the police.
The Red House
Maxwell's fiancée Imogen is obsessed with her idyllic childhood in Cambridge, which was cut short by her parents' deaths when she was only eight years old. She and her siblings were separated by adoption, and in adulthood she's managed to reconnect with them all except for the youngest...